Monday, March 28, 2005

a dyc fu 111: if you were to do a film, would you be 50% aesthetics, 50% dialogue OR would it be more of one and less or the other?
booce boogie: i think i'm more of an aesthetics kinda guy, but i guess that's just because a) i'm still immature and b) i can't write good dialogue
la dyc fu 111: mroe aesthetics doesn't mean you are immature!
booce boogie: i think architecture has permanently changed the way i see things
la dyc fu 111: b is understandable
la dyc fu 111: but at least you know there's room to get better at writing good dialogue
la dyc fu 111: what you mean by that
booce boogie: haha yeah
booce boogie: i just have an urge... to PHOTOSHOP everything i see
booce boogie: even things in real life
booce boogie: i see something that i think could be different
booce boogie: i wish life had an adobe photoshop command
booce boogie: we could come in and sweep things
booce boogie: color adjust, contrast control, copy, paste
booce boogie: hide things
booce boogie: filter things up
la dyc fu 111: welll...
la dyc fu 111: is that what stenciling, graffiti, stickering is for...
la dyc fu 111: isn't that what architecture is for?
la dyc fu 111: planting ?
la dyc fu 111: signage?
la dyc fu 111: store front windows?
la dyc fu 111: etc
la dyc fu 111: you could have the control
la dyc fu 111: of shaping it
la dyc fu 111: "photoshopping it"
la dyc fu 111: video projections...
la dyc fu 111: projecting onto the city
la dyc fu 111: onto the layers
la dyc fu 111: manipulating it
la dyc fu 111: makeing it into something else
la dyc fu 111: something new
la dyc fu 111: or something to be remembered
la dyc fu 111: of the past
la dyc fu 111: or such
la dyc fu 111: all i'm saying is, you can photoshop reality as well
la dyc fu 111: 3d and not just 2d
la dyc fu 111: just gotta think of the ways
la dyc fu 111: the possibilities
booce boogie: haha
la dyc fu 111: it's easy to say "i'm more aesthetic cause i'm immature and not good with writing good dialogue"
la dyc fu 111: it's harder to say "i'm more aesthetic"
la dyc fu 111: and to leave it at that